study for Siren lll \ facing north at the USA–Canada Border 2019
irregular boarder crossing, Roxham Road foot path, North Star Road NY USA || Chemin Fisher QC CA
Siren IV 2021 \ digital tapestry
3D render, silk, 6 panels 42” wide x 120” tall.
an initial aversion to the plight of the sufferer. (Pietà) 2016 – continuing
window film, 17m wide x 4m tall, installation on Toronto City Hall, Nuit Blanche Toronto
2018
Siren 2018 – continuing \ Siren I 2018
performance document, women ululating to the passengers of a tall ship, sonic
intervention at Kajama Boat Tour, ArtSpin Toronto Canada
study for Scapegoat 2017–continuing \ Sidné 2018
work in progress
an initial aversion to the plight of the sufferer (Pietà) 2015 – continuing \ Omari 2015
1 of 5 silver-halide colour photo prints, 83 cm x variable life scale (63cm).
installation detail at the National Gallery of Jamaica Biennial 2017
The King's two Bodies 2016 \ Pinwheels II
1 of 3 TIFF files 76 MB
between here and there 2015 \ Bread and Circuses
76 world wide news sources. programming, synthetic speech software, network connection, 3
tablet computers, 3 sound isolating loud speakers. Installation New Adventures in Sound
Art at Interaccess Toronto Canada 2017. Photograph by Natalie Logan
Sisters 2012
1 of 2 channels audio / video installation, with naakita feldman-kiss (editor)
after Africa 2011 \ a yard of ashes (continuous cross dissolve)
indefinite video loop, part 2 of 3 channel audio / video installation, 3 UHD projectors, 3 parabolic speakers
after Africa 2011 \" So long, Farewell" (sunset)
49:07 minute video loop, part 2 of 3 channel audio / video installation, 3 UHD projectors, 3 parabolic speakers
drive by good bye (traumatic reenactment) ) 2011
video still, 1 of 2 channel audio / video installation, as yet unrealised
childish objects 1966 – 2017 \ Undo, Unravel, Go back and further back, still, Go home. (Are you my Mother?) for Boty Goodwin 2001 – 2013
durational performance, 4 identity documents: European Community United Kingdom of Great
Britain and Northern Ireland (expired); Europäische Union
Bundesrepublik Deutschland Reisepass; Canada; Carabbean Community Jamaica
Passport.
childish objects 1966 – 2017 \ the camera eye (AKA witness) 1972, 2006-2017
proof of concept, CAD / CAM, 3D printed parts (plastics and metal alloys), miniature
camera, ocular prosthesis, borosilicate glass, saline, stones
childish objects 1966 – 2017 \ if i could nurture your pain then i would offer you my milk. if i could put you to sleep then i would sing you a lullaby. (Nurture) 1975, 2007
1 of 2 performance photographs, digital photo print, 75 x 50cm
childish objects 1966 – 2017 \ the public sleeping performance 2005
performance document, afternoon nap (4 1/2 hours) Canada Day, Commissioner’s Park, presented by Gallerie Saw Gallery Ottawa Canada
from the mean body database 2001 \ sides 2001-2007
multiple 3D whole body laser scans, algorithmic shape, backlight media, screen grab, light box, 107 x 107 x 20 cm, brushed aluminium frame
from the mean body database 2001 \ torso 2001 - 2006
1 of 4 digital sculptures, multiple 3D whole body laser scans, algorithmic shape, FDM thermoplastic 3D print 28 x 10 x 10cm
rest (in memory of Thelma Cullingham) 2003 – 2005 \ Thelma's gold lamé cocktail dress
performance document, 1 of 29 garments removed from the body, chromogenic projection
print, 75 x 100cm
from the mean body database 2001 \ Classically Bound / 120302 / 23:11.16 / 120302 / isbn 0-9735643-4-2 / 2006
1 3D whole body laser scan (standard posture), 12.4MB or 7,662 pages printed on Colonial bond, natural vegetable tanned pigskin, 23 x 29 x 58cm
from the mean body database 2001 \ i absolutely know i exist (AKA. 360 1º rotational views) 2005
1 3D whole body laser scan, 360 algorithmic screen grabs, 290 square meters, installed at
Carleton University Art Gallery, Ottawa Canada 2006
from the mean body database 2001 \ study for mean body (standard posture) 2002
1 3D whole body laser scan, SLS rapid prototype (3D print), stainless steel, 29cm tall
from the reliquarium database 2000 \ Y2K listserv diary performance document
45 of 254 2D scanned 3D objects, 47 of 254 self-authored, borrowed and plagiarised texts, 92 framed digital photo prints 25 x 25cm, installed at the Ottawa Art Gallery, Canada 2015
Study for Siren lll 2021 \ digital iceberg
3D render
I work as an . I am interested in , and the of where , , , , and too.
. . and . . and . . () . . and and too.
The things I make result from focussed looking, chasing references, finding out. Burrowing through the network into curiously real and visceral worlds. Alice fell through the trembling , landed somewhere , , . feeling . . for its but for that , embodied –.
I submit to art as life and , aiming to work , and from my as a of our . I am conspicuously bodied. My artworks deploy body as . , , . The . I do not create with the topic of bodies as purpose or intention. My work is not conceptual in that way. My artworks are stills for , and of life to my times. on , . . . , , . , , (). I create with whatever surfaces then sticks around to assert itself.
Welcome to my archive.